7th Amakula Kampala International Film Festival 2010
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Cameroon
, La Passion de Jeanne d’Arc
Country:Cameroon
Director:Carl Theodore Dreyer
Program:African Panorama
Year:
1928
Duration:
100
Summary:
This film details the last hours of the life of Joan of Arc: her trial, imprisonment, torture, and execution.
Robert Bresson, Le Process de Jeanne d’Arc (France, 1962, 65 min.)
Bresson's screenplay evinces a commitment to historical documents as it is strictly drawn from the transcriptions of Joan's trial and rehabilitation.
Black Business
Country:Cameroon
Director:Osvalde Lewat-Hallade
Program:African Panorama
Year:
2007
Duration:
80
Summary:
It is estimated that during 2000, over 1,000 Cameroonians were killed by the Operational Command Unit, created by the President of Cameroon to tackle banditry.
A Love During War
Country:Cameroon
Director:Osvalde Lewat-Hallade
Program:African Panorama
Year:
2008
Duration:
63
Summary:
Aziza, a journalist, is separated from her husband when the DRC war broke out. Six years later, she reunited with him in Kinshasha, the DRC capital
Weekly Movie Night every Tuesday (Out Door Screening)
Country:Cameroon
Program:African Panorama
Year:
2006
Duration:
63
Summary:
The exact movie will be announced later.
Contact Us for details.
Love in a Time of War
Country:Cameroon
Director:Osvalde Lewat-Hallade
Program:African Panorama
Year:
2005
Duration:
63
Summary:
Aziza and her husband were separated when the Congo-Kinshasa war broke out. Six years later, they reunited in Kinshasa. They are now rebuilding their family life with their four children.The souvenirs of the horrors suffered by other women in eastern Congo-Kinshasa during the war still hunt journalist Aziza. Despite her apparent happiness, she feels guilty. She wonders what happened to Feza, the little girl she used to care for. Feza aged twelve, is now a mother after several rapes. Aziza needs to know what happened to her. Aziza needs to see her again.
Muna Moto
Country:Cameroon
Director:Jean Pierre Dikongue-Pipa
Year:
1974
Duration:
89
Summary:
Dikongue-Pipa’s timeless classic was one of the first films that brought the Cameroonian cinema to a world audience. The film provides an unsparing view of village life and traditions while capturing the fateful constrictions brought about by custom. Dikongue-Pipa manages to shift registers frequently to lend complexity to a simple story. Nagando and Ndome are in love. Ngando asks for Ndome’s hand in marriage, but Ndome’s family reminds him that he has to pay the dowry. As he is an orphan, he asks his uncle to help him meet this traditional obligation.
