
Country:Italy
Director:Pier Paolo Pasolini
Program:Parallel Pathways
Summary:
A devestating example of parallel narrativity in which two seemingly allegorical stories are told: In an undeterminated past, a young cannibal, having killed his own father, is condemned to be torn to pieces by some wild beasts while, in the second story, Julius, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships. This film was to mark Pasolini’s shift toward more brutal political subjects combined with a glacial detachment and eerie morbidity. The film is an ideal sample of the rage of the radical “concerned cinema†that was to be sparked in the wake of the social upheavals in 1968.
